• British American Conductor Composer Stephen P Brown and the Clearwater Chorus
    Articles

    Back to Choral Roots

    A couple of months ago I was appointed Conductor of the 40+ year old Clearwater Chorus. It’s an ensemble of people who like to sing, and encourages adults of varying ages and abilities to make and share music together. At least, that’s what it is now. Although not titled a “Director” that is effectively my role and as a result, I’ve grabbed hold of the reins and am guiding the ensemble through a new perspective: who we have and what we do now is what we are, and as long as we work together to share music, we’ll be doing something of value to the world. [Click here: I’m giving…

  • Articles

    Another Absolutely Best Of!

    I’m working on some project documents and listening to Classic FM’s David Mellor (ex-Member of Parliament and even Cabinet member) enthusiastically share his top 20 classical music recordings of 2012 – both new and re-released. Sometimes it’s quite fascinating, especially Max Richter’s rewriting of Vivaldi’s famous Four Seasons violin concertos, two very different versions of Rachmaninoff’s beautiful Symphony No.2 even though the different albums won in different categories, and even Cole Porter’s “Let’s Do It” by Alexandre Tharaud. Yes, I’m just as confused as you. (Amazon affiliate links) Well, I’ve never been much of a fan of “Top” or “Best of” lists, even though it is clearly a marketing gem and seems…

  • Articles

    You certainly asked!

    THANK YOU to all who participated in the 3rd Annual #AskAConductor Day on Twitter earlier this week. Remarkable stuff! Some friendships were rekindled, some new ones made, and I’m hoping that those who like live music (orchestras, choirs, musicals, opera, film, etc.) are now more aware of what conductors actually do, how they do it, and why. After all, that’s the purpose of giving you a global opportunity to ask a conductor whatever you want! If you missed it, glean the incredible list of original tweets from the transcript linked below and make sure you join my mailing list so you get to hear about next year’s event ahead of…

  • Articles

    Ask A Conductor?

    Two years ago two of my dear Tweeps @mcmvanbree and @laceyh started an awesome day of musical questioning. Including myself, Lorin Maazel, Sasha Makila, Vladimir Ashkenazy (through the Sydney Symphony Orchestra Twitter account) and a whole host of others, the general public got to ask us Conductors from all over the world… whatever they wanted! It was challenging and exciting at the same time, yet experts such as Mike Seal and Kenneth Woods provided much insightful entertainment and I look forward to their participation again this year, too. This year’s event will be on Wednesday, December 12 YOUR LOCAL TIME. That means, the ‘day’ could last up to 48 counted…

  • Articles

    Composing D: Development

    In Sonta Form there are usually two themes (see last week’s post for the Main Theme of our new piece). This past week that theme and the complimentary Secondary Theme were added to the score, twice each, and spread amongst all the instruments. When these two themes are presented for the first time in their entirety, it is usually in a section called the “Exposition” and this is what it sounds like in our “Sonata for Chamber Orchestra”: [ca_audio url=”https://www.stephenpbrown.com/blog/wp-content/uploads/2012/10/Sonata-for-Chamber-Orch-Expo.mp3″ width=”500″ height=”27″ css_class=”codeart-google-mp3-player”]   Now it’s time to move on to the “Development” section. This is usually the longest section of a piece in Sonata Form as the composer can take snippets of both themes…