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New psalm composition #6: Warrior Peace
Well, this was an unexpected mammoth! (If you are not aware of my current composition quest, click here to read the introduction.) I knew that composing for larger ensembles would take time, and was sort of risking things a little when I decided to write for a larger-than-normal ensemble but I didn’t plan for this piece to take a full month. Think of a chamber orchestra that plays Mozart and Haydn symphonies. Then take away all the string players. That’s what this composition is for! It’s not a standard combination of instruments, so I decided to call it a “Chamber Orchestra Non-Strings” ensemble. Says what it is, right?! The actual…
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How I compose: Step 2 – Instrumentation
A couple of weeks ago I shared how I start composing each of the pieces in my composition quest. It seemed to be a popular post! So after I’ve read the psalm, understood its meaning through commentary, and established the structure for my piece, the next step in composing music for me is choosing the instrumentation. Instrumentation. The purpose of this quest is to improve my composing skills. One of my dream goals is to finish the quest by writing a piece of music based on Psalm 33 for large chorus and full orchestra. That’s a lot of people and parts, and like an Olympic Triathlete or Astronaut, there is a…
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Composing B: And so it begins…
Following last week’s post about how to start a composition, well… how I am starting this composition… a few decisions have been made. Whilst looking around for a compositional structure I came across several main elements: Variation Twelve-tone Sonata form Rondo Tone poem and my favorite: Minimalism Each have their own special qualities and after a little thought, I thought it would be nice to try Sonata form. I don’t remember the last time I wrote something in Sonata form (and stuck to it) so here’s an opportunity. At the moment, Sonata form will form the dominating format, although during the creative process unexpected twists and turns can often lead compositions into…
