So, composition #3 is complete – a piece for solo piano. It is most charming and my wife Melissa loves it. I’ll publish it next week as there are some administrative details to wrap up first.
Composition #4 is already underway and called “Wind Quintet 2” (how imaginative is that?), and I was thinking about where composition #5 might take us on our journey: I’d like to do a piece for unaccompanied (“a cappella”) choir but am undecided whether to write for soprano, alto and baritone voices, or the more traditional soprano, alto, tenor and bass.
But my biggest quandary is the style. Can you help me?
Princeton-based “Jersey Transit” is an “a cappella” vocal choir
The vocal piece will be based on psalm 130, a Pilgrim Song, and is basically the sorrowful author’s crying out to God for mercy, but s/he uses the prayer as an example for others to keep hold of hope for themselves.
This past week my wife asked me to compose something beautiful, preferably for the cello (as that’s her favourite instrument).
I said “What do you mean?”
“Not ‘intelligent’ or clever or busy, just something… beautiful.”
“Meaning what, exactly?”
“Oh, I don’t know. Like, a song that’s nice.”
“Oh, OK!” I said. “I’m right on it!”
Er… can you help me?!
What do you think she means? Am I displaying an incredible amount of utter ignorance here? I thought some of my choral music is particularly beautiful (especially “Lucy’s Song” using a text by Charles Dickens), and if you’ve heard “A Mother’s Lament” I’m sure you’ll agree that can be classified as ‘beautiful’ too.
And apparently, what I’ve composed to date is not enough. I have a challenge here, folks, and I have an inkling as to the kind of thing I should be doing, but what are your thoughts? What makes a piece of music “BEAUTIFUL?” What are the characteristics, styles, intentions, moods, etc.? Help me write this piece by leaving a reply below, and I will most certainly dedicate the piece to you! Seriously.
Here’s an example of a cello piece that I think is beautiful. What do you think makes it so?
What makes this music “beautiful?”
I’m sure there are specific characteristics that make music ‘beautiful’ but what are they?
Nick Scott believes it is all to do with pacing. What does that mean?
One response on his post suggest “anything that comes from the heart” and I would add “as opposed to the head.” But again, what does that mean? How does a composer determine what someone else would find beautiful?
In response to a post on the Musica Sacra forum, bjerabek suggests the Golden Ratio is at play in anything beautiful. I can see that. I looked into the Golden Ratio during my sojourn at Cleveland State University some ten years ago, but how sad if that were that’s required to make beautiful music – doesn’t that make it “intelligent” or “clever” music?
Just a simple Google search for the most beautiful music in the world doesn’t really help, nor does Classic FM‘s overuse of the adjective.
So I’m wondering, what music do YOU find beautiful? And more importantly, WHY?
“Aside from purely technical analysis, nothing can be said about music, except when it is bad; when it is good, one can only listen and be grateful.”
What do you think?
There are times when this doesn’t just apply to orchestral or choral music – a good show tune (particularly from Marvin Hamlisch or Frank Wildhorn) can easily separate us from our troubles for a moment, and even a thumping solid tune from Lady Gaga makes us appreciate her remarkable musical skills, despite her disappointing marketing techniques.
Think about what music makes you forget about the world, and see if there’s a live performance near you coming soon. Or perhaps set some time in your calendar to sit and listen. Use the comments below to share what the piece is, and when & where there’s a concert.