I’ve got 7 years left – #PsalmQuest Compositions

Some of my compositions were recently submitted as materials for another Masters-level qualification which would permit me to teach higher education in the USA – something my experience and approach is well suited to. The application was not approved, and that hurt. When I shared the assessor’s report with my select circle, most of the reactions […]

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People Matter.

What are you working on? Do you have a hobby or skill that you pursue outside of your day job? Some people build model train sets, others go ice skating. Some folk coach Little League baseball, and others knit. What’s your hobby? (Tell me in the comments below). It’s interesting that over the past 10 […]

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Memory lane: Was it good, bad or empty?

Each month I keep an eye on the conversations I’m having with people to find topics for my next #OrchChat – an hour of discussion on Twitter about orchestras. Usually the three topics of each chat are quite diverse but so far have somehow bled into each other. It’s really a fascinating hour. Click here […]

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#OrchChat – January 2013

Twitter was the home of another FABULOUS discussion amongst some passionate orchestra enthusiasts last night! #OrchChat was scheduled for one hour and although it got off to a slow start, people from around the world joined in and the discussions got meaty. I’m thrilled so many people participated and some have already made terrific suggestions […]

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Composing D: Development

In Sonta Form there are usually two themes (see last week’s post for the Main Theme of our new piece). This past week that theme and the complimentary Secondary Theme were added to the score, twice each, and spread amongst all the instruments. When these two themes are presented for the first time in their entirety, it is […]

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Composing C: The Main Event

Well, it’s not an event as such, but it makes for a great blog title, right?! Today we develop the Main Theme of our piece. In music, a theme is usually a melody but it could refer to an accompaniment or even just a rhythm, but we’ll stick to something conventional this time. How is a […]

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Composing B: And so it begins…

Following last week’s post about how to start a composition, well… how I am starting this composition… a few decisions have been made. Whilst looking around for a compositional structure I came across several main elements: Variation Twelve-tone Sonata form Rondo Tone poem and my favorite: Minimalism Each have their own special qualities and after a […]

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