• Conductor Composer Maestro Stephen P Brown / Swedish Chamber Orchestra
    Articles

    How I compose: Step 2 – Instrumentation

    A couple of weeks ago I shared how I start composing each of the pieces in my composition quest. It seemed to be a popular post! So after I’ve read the psalm, understood its meaning through commentary, and established the structure for my piece, the next step in composing music for me is choosing the¬†instrumentation. Instrumentation. The purpose of this quest is to improve my composing skills. One of my dream goals is to finish the quest by writing a piece of music based on Psalm 33 for large chorus and full orchestra. That’s a lot of people and parts, and like an Olympic Triathlete or Astronaut, there is a…

  • British American Conductor Composer Maestro Stephen P Brown Psalm Piece 4 Wind Quintet Classical Music
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    Next piece: Wind Quintet 2

      Yes, I’m forging ahead! Why? Because I know that as I improve my composition skills (the purpose of this entire project) I am learning how instruments sound and work together and I will be wanting to compose for larger combinations of instruments, such as a full orchestra. Writing such a piece will take a lot more time. If I can get ahead in the project now, it will allow some flexibility for taking longer on the bigger pieces. For example, this next piece is a Wind Quintet. That’s the standard combination of woodwind instruments (plus French Horn) found in most Western ensembles – flute, oboe, clarinet and bassoon. However,…

  • Conductor Composer Stephen P Brown
    Articles

    When to say no

    Last night I performed at an awards ceremony. It was a great show directed by a great showman Peter Stark (the former American ballet dancer, not the English conductor). One of the musical highlights for me was conducting a special arrangement of “Kashmir” made famous by Led Zeppelin, and more recently by the electric string quartet “Escala“. Our arrangement was for full orchestra, rock band, vocal soloist and two choirs – love it.     But also on the programme was a peppy little number I wrote myself – the last movement of my Marimba Concerto 1. I led a performance of the whole piece earlier this week with Glenda…