• British American Conductor Composer Stephen P Brown and the Clearwater Chorus
    Articles

    Back to Choral Roots

    A couple of months ago I was appointed Conductor of the 40+ year old Clearwater Chorus. It’s an ensemble of people who like to sing, and encourages adults of varying ages and abilities to make and share music together. At least, that’s what it is now. Although not titled a “Director” that is effectively my role and as a result, I’ve grabbed hold of the reins and am guiding the ensemble through a new perspective: who we have and what we do now is what we are, and as long as we work together to share music, we’ll be doing something of value to the world. [Click here: I’m giving…

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    I’ve got 7 years left – #PsalmQuest Compositions

    Some of my compositions were recently submitted as materials for another Masters-level qualification which would permit me to teach higher education in the USA – something my experience and approach is well suited to. The application was not approved, and that hurt. When I shared the assessor’s report with my select circle, most of the reactions were along the lines of “These comments make no sense,” and “I haven’t got a clue what he’s on about.” One comment suggested how the assessor seemed to be looking for negative things to say and ended up saying the same thing about each piece that was submitted. There is no recourse to appeal the…

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    You certainly asked!

    THANK YOU to all who participated in the 3rd Annual #AskAConductor Day on Twitter earlier this week. Remarkable stuff! Some friendships were rekindled, some new ones made, and I’m hoping that those who like live music (orchestras, choirs, musicals, opera, film, etc.) are now more aware of what conductors actually do, how they do it, and why. After all, that’s the purpose of giving you a global opportunity to ask a conductor whatever you want! If you missed it, glean the incredible list of original tweets from the transcript linked below and make sure you join my mailing list so you get to hear about next year’s event ahead of…

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    Composing D: Development

    In Sonta Form there are usually two themes (see last week’s post for the Main Theme of our new piece). This past week that theme and the complimentary Secondary Theme were added to the score, twice each, and spread amongst all the instruments. When these two themes are presented for the first time in their entirety, it is usually in a section called the “Exposition” and this is what it sounds like in our “Sonata for Chamber Orchestra”: [ca_audio url=”https://www.stephenpbrown.com/blog/wp-content/uploads/2012/10/Sonata-for-Chamber-Orch-Expo.mp3″ width=”500″ height=”27″ css_class=”codeart-google-mp3-player”]   Now it’s time to move on to the “Development” section. This is usually the longest section of a piece in Sonata Form as the composer can take snippets of both themes…

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    Fish for music, not chips

    I’m not obsessed with fish. Really! Of course it’s a favorite dish of mine – I grew up in “Fish & Chip” land (and to be perfectly honest, still have not yet found anything that comes close to it in the USA). On overnight camping trips to Hastings we’d walk the promenade, play on the beach and watch the boats land on the pebbles before unloading their stock, indulge in crazy golf or the indoor amusement center (I once won £130 in pennies!) and then head to the local chippie. You really can’t get fresher fish than that! And, at that time, it was all cod with the occasional haddock or…