So, composition #3 is complete – a piece for solo piano. It is most charming and my wife Melissa loves it. I’ll publish it next week as there are some administrative details to wrap up first.

Composition #4 is already underway and called “Wind Quintet 2” (how imaginative is that?), and I was thinking about where composition #5 might take us on our journey: I’d like to do a piece for unaccompanied (“a cappella”) choir but am undecided whether to write for soprano, alto and baritone voices, or the more traditional soprano, alto, tenor and bass.

But my biggest quandary is the style. Can you help me?

Princeton-based “Jersey Transit” is an “a cappella” vocal choir

The vocal piece will be based on psalm 130, a Pilgrim Song, and is basically the sorrowful author’s crying out to God for mercy, but s/he uses the prayer as an example for others to keep hold of hope for themselves.

What do you think?

(Click this link if you don’t see a poll question above: http://poll.fm/49tgx)
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