What kind of choral music do you like?

So, composition #3 is complete – a piece for solo piano. It is most charming and my wife Melissa loves it. I’ll publish it next week as there are some administrative details to wrap up first.

Composition #4 is already underway and called “Wind Quintet 2” (how imaginative is that?), and I was thinking about where composition #5 might take us on our journey: I’d like to do a piece for unaccompanied (“a cappella”) choir but am undecided whether to write for soprano, alto and baritone voices, or the more traditional soprano, alto, tenor and bass.

But my biggest quandary is the style. Can you help me?

Princeton Community Chorus Jersey Transit

Princeton-based “Jersey Transit” is an “a cappella” vocal choir

The vocal piece will be based on psalm 130, a Pilgrim Song, and is basically the sorrowful author’s crying out to God for mercy, but s/he uses the prayer as an example for others to keep hold of hope for themselves.

What do you think?

 

(Click this link if you don’t see a poll question above: http://poll.fm/49tgx)
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People Matter.

What are you working on?

One of the impressive train sets at Northlandz in NJ

Do you have a hobby or skill that you pursue outside of your day job?

Some people build model train sets, others go ice skating. Some folk coach Little League baseball, and others knit.

What’s your hobby?

(Tell me in the comments below).

It’s interesting that over the past 10 days or so something has come to light in my world prompted by several emails following my “Keeping up appearances” post last week. That something is a project. No, a Project. Well, to be perfectly honest, it’s a “Major Project.”

Much of the encouragement and advice you’ve shared in comments, tweets and emails has been very uplifting and very wise. Perhaps the most common public perspective was how incredible it can be to have a mentor or two, and that’s what Tuesday’s post was all about. But several emails fairly unsubtley told me to get my act together, cease and desist the doubt and negativity, and get back to what SPB does best.

Those emails from a handful of well-respected people, plus two from people I’ve never met in person, were intimate and direct. They were and will remain private, but the common thread between them all served the same purpose and mentioned the same solution.

What I was like, once.

I think the purpose of those emails was not so much to get me believing in myself again, but to remind me of who I was – jog my memory of what I was like – lift me above the dark thicket and thorny brush to survey the vast pine forest I’ve been wandering in (musically) for several years, and combine that with all that I’ve learned in recent times. In other words, transition from a floundering find-your-footing thirty-year-old to a mature expert forty-something (My older sister would probably translate that as “Grow up!“) OK, a little deep, perhaps, but isn’t that something we all hanker for once-in-a-while? Maybe that’s been my problem: I’ve been dealing with surface stuff for so long now that I’ve not taken care of the inner, deep things. Whatever your stance on that, I choose to acknowledge that we all have deep, personal issues to learn about, and I’m not going to brush them under the carpet or hide from them anymore (like the British are particularly renowned for!)

However, getting back to the real Me was only the first commonality mentioned in those emails. The second was this: a Major Project.

Yeah, yeah, yeah…

Before you sigh, roll your eyes up and shake your head at yet another SPB attempt at something, we’re not talking about the trite little videos I’ve been publishing over the past few years. No, we’re talking something different – something more in line with “me” – a project that will blow me (and hopefully you) away. This project will be something I can focus my energies on and produce a result that is actually outstandingly SPB-like, not a mediocre copy of what has (or appeared to have) worked for others.

People matter: I love chatting to audiences after a concert.

People matter.

It is clear my music career needs attention. No more fluff. No more scrounging around looking for something to do. Being a conductor is TOUGH because whatever you want to do, you need a bunch of people to do it with. Conducting 1 or 4 people is just dumb, yet finding players to form an orchestra is either nigh impossible outside the higher education environment or it costs a small fortune (believe me: my wife and parents know!) (It can be done, though – remember George Marriner Maull and his creation of the remarkable Discovery Orchestra in my last post?) And composing usually requires an ensemble who will play your music. Good luck with that! Well, I have been blessed: I am VERY fortunate to have many colleagues in the music world who have more confidence in me than I do myself, and they’ve taken on my music and performed it – most recently Jane Rondin of the Zephyrs Wind Quintet in New Jersey, and Alexandra Vago of the Blue Pointe String Quartet in Cleveland, Ohio.

You also matter. Thank you for taking this journey with me.

So I need a project. A big project. Something that will blow me away. Something I can do without relying on other people, and something that does not require me to put my hand out and ask for money. I need a music-related project in which I can find fulfillment.

Funnily enough, the disappointment that sparked this recent series of posts may provide just the right catalyst for that project.

Give me a few more days to figure out some nuances, and I’ll tell you what the disappointment was, and what it and you have spurred me to do.

Shall we say, Friday next week? It’s a date – look out for my next email then.

Your turn:

To help us all focus on what we do well in life, what is your hobby or Major Project right now? And how did you get into it? Write a comment below, and then share this post with your circles of influence – they will want to read what you write!

World Premiere Was Wonderful!

Last month I had the distinct honor of attending a Holiday concert in a rather chilly New Jersey, during which my Global Music Award winning piece Wind Quintet 1 was played for the very first time. Thanks to Jane Rondin and the Zephyrs Winds, I got to hear what the ‘human element’ could add to the composition I’d been hearing in my head and online for weeks.

Click it to tweet it:
“Direct human interaction transforms the way we experience music.” (Recordings vs. live concerts) @Stephen_P_Brown

It was pretty good!

The audience seemed to really enjoy all four movements and I’m so pleased there were many friends & fans who were able to join us before (for drinks in town), during and after the concert – thank you. It’s always really nice to see familiar faces and meet new folk, too.

For those of you who were not able to attend, here’s what happened:

Stephen P Brown’s “Wind Quintet 1”

Click here to download the sheet music

 

Do you like this piece?

Let me know in the comments below – it’s probably the easiest [non-live] way to stay in touch with what you like and don’t like.

Give me your feedback and that way, I can write better music!

 

Oh, and please forward this blog post to one of your friends. You just may be surprised who likes it!

 

Wind Quintet 1 by Stephen P Brown wins Global Music Award

 

 

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Exclusive “Schmooze with Stephen”

Let’s take a break from seeing how a composition is created for a moment, because here’s something really exciting for you.

Hand-painted artwork from Malawi

Over the next couple of months I have three pretty important events (amongst many others) taking place around the USA. All three are featuring new pieces of mine, including the Sonata for Chamber Orchestra we’ve been exploring in this blog, a brand new marimba concerto (in which I’ll attempt to play the solo part – should’ve been a bit kinder, methinks!), my string quartet, my wind quintet, and a cute little ditty called Green Painting based on one of three pictures I bought from a legless (literally) street vendor in Lilongwe, the capital of Malawi (You can hear the piece on my Reverbnation page)

Lots going on, right?

Well, here’s the really exciting part:

My composition Wind Quintet 1 just won a Global Music Award and will be premiered at the Madison Arts Festival in New Jersey on Friday, November 23 at 7:30pm. That’s Thanksgiving weekend, and I’m going to be in town 🙂 Let’s celebrate the Award together!

So, if you are an SPB email subscriber or SPB blog reader then here’s something exclusive for you: meet me at 6pm and lets hang out before the concert at 54 Main St (that’s the name of the bar/ restaurant). And be sure to ask the bar staff for a Schmooze! (It’s a non-alcoholic drink – recipe here). We can then convoy up the street a couple of blocks to the concert venue.

Oh, and there’s a reception after the concert, too, for everyone who attends.

If you’re in NJ that weekend, I look forward to seeing you at the concert. If you’re not in NJ that weekend – hurry up & get your plane tickets! 🙂

Click it to tweet it:

@Stephen_P_Brown invited me to an exclusive pre-concert “Schmooze with Stephen” hangout. Yey!

 

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