#PsalmQuest 11 – String Quartet 2

String Quartet 2 by British American Conductor Composer Stephen P BrownIt feels like forever since I published a #PsalmQuest piece, and I guess it was, really – over a month ago! In fact, I finished composing that last piece at the end of September, so it’s really been 8 weeks.

Some of that time was spent resting, but much of it was actually spent re-writing. This was a difficult piece to extrapolate from the recesses of reality and it saw several completely written-out ideas before I hit the ‘delete’ button on the whole lot. But it’s here now, and it has quite a story to it, methinks…

String Quartet 2 (actually, the title was bothersome for quite some time as well, until I realized how simple it could be) is based on Psalm 97 and whereas the Longman/ Garland commentary has it broken into 4 sections, many other sources actually have it broken into 3. I went with C.E.O White’s “A Christian Handbook to the Psalms” and chose three movements for this piece.

The ideas and concepts behind each movement shifted slightly, and although they started out encompassing three of the more easily defined names for God they each ended up as an intriguing mystery.

Movement 1

is about Yahweh. The opening passages of the psalm reflect glory and affirmation, magnificence and revelation. An overwhelming presence. I thought this could be nicely summed up as “Righteousness.” But, is it mankind assuming his own righteousness or it is God as righteousness?

Musically, this movement is rather awkward but it seems to reflect the unstable authority with which anyone declares themselves as righteousness. The main theme is based on the phrase “I am Righteousness. Don’t you forget it!” This was the hardest movement to complete and it went through multiple manifestations.

Movement 2

is about Adonai, the lord of lords, master of all. Somewhere online I found this also summarized as Justice. Currently true Justice in the Western world is a but of a joke with everyday folk moving at different paces to governments which are operating under different expectations of big Corporations, etc, all under the pretense of harmony. But, is it mankind demanding their own kind of Justice like a petulant child, or is it God declaring the fact that he is going to have justice whether we like it or not?

Musically, this is my favourite movement. It has a slow pulse but that hardly means the music is slow. The main melody is based on the aggressive phrase “Justice! I want Justice!” and leads us into a twisting and turning finger-numbing world of dizzying adventures, with lots of teamwork between the two violinists and a rarely-used key E minor, which is actually the enharmonic equivalent of the key that should be used: Fb minor (seven flats, if you know what that means. Er… no thanks).

Movement 3

is about Elyon, which reflects thoughts of strength, the most high, sovereignty and supremacy. In other words, Judgement. Again, we’re not too clear on who is declaring judgement – it could be one of mankind’s follies, or perhaps it is God reminding us that He actually created everything (in the same way that Bill Cosby once said to his son: “You know I brought you into this world, I can take you out!”)

Musically this movement starts with an actual conversation! The first violin shares with us a little reminiscing, before the cello starts a new conversation whilst the viola and second violin try to keep the topic on track (you’ll hear the “I am righteousness” and “I want Justice!” themes reappear). As the cello and viola head off in a new direction, the two violins stick together until one of them adds a comment and the other tries to stop them “Oh no you don’t!” Eventually, though, everyone’s on board, there’s a big “ta-dah!” in celebration, and then we explore Judgement to the end of time.

I take it back – maybe this last movement is my favourite. It was certainly the quickest to be written after the other two struggled to appear.

Click here to get your own copy of the sheet music

Please leave a comment below letting me know what you think, and if you plan to perform it, be sure to add it to this page: https://www.stephenpbrown.com/concerts/

Next Piece: A Brass Mirror

According to the countdown clock on this page there are now LESS than seven years for me to complete the whole project (click here to find out what the project is all about). All is well, though – I seem to be on track. Already I’ve completed two compositions in this massively huge project, and here’s the latest one:

 

This piece is based on Psalm 143, which is one of the many Lament psalms (58 in all). It has a clear structure, thanks to Longman & Garland’s commentary, and that made constructing the piece very simple. It starts with an introduction, then to a conversational Prayer requesting righteous thinking and behavior (let’s call that Section A), followed by an actual hymn-like Lament (B) – a time when the author recognized his own mistakes and sinfulness. Then the psalmist petitions for help (a variation of Section B) and finally returns to another prayer for righteousness (a slight variation of Section A again). I then closed the piece with a shortened reprise of the introduction.

Conductor Composer Maestro Stephen P Brown composes a piece for brass trio based on psalm 143 with an ABBA structureSeveral times I toyed with the idea of writing in the style of a disco beat, purely based on the structure above (A, B, B, A) but decided against it 😉 Instead, the piece is traditionally harmonic with a few Russian romantic twists and turns, but nothing harmful and not quite Stravinskian or minimalist.

What I do find interesting is the instrumentation. I wanted to tackle the brass section of the orchestra as it’s something I’ve not done since college. My friend James Stretton shared some thoughts and advice, and I wrote the piece for brass trio: horn, trombone and tuba. I think it’s a wonderful combination and with the right players, instruments and tonal quality, will sound mellow yet weighty. Love it. Thanks, Jim!

I dedicated the piece to him, but also wanted to acknowledge those folk in my life who helped me understand the horn, trombone and tuba (whether they know it or not), so I listed their names in the score, too. Thank you, folks. Perhaps you had a bigger impact on me than I’ve let on to date.

Anyway, I hope you enjoy this piece. If you’d like a copy of the score and parts, you can get it for free for one week only at the link below. Be sure to share this post around, especially if you have any brass players following/friending you!

https://www.stephenpbrown.com/compositions/a-brass-mirror/