• Evelyn Glennie marimba
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    Piece #8: Sonata 2 for Viola, Marimba, Piano

    This is a fun little ditty! Another stab at the traditional Sonata Form, this piece is for a trio of performers: viola, marimba and piano. To my thinking, there is not enough marimba included in the standard instrumentation these days, (click it to tweet it) yet like the saxophone or bass clarinet, it has a great many experts and has become a common option thanks to folk like Evelyn Glennie. Sonata Form Structure This piece is based on Psalm 102 and although it does not follow a similar structure (the focus of this piece was the structure called “Sonata Form“) I did use the content of the psalm to influence the…

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    Composing D: Development

    In Sonta Form there are usually two themes (see last week’s post for the Main Theme of our new piece). This past week that theme and the complimentary Secondary Theme were added to the score, twice each, and spread amongst all the instruments. When these two themes are presented for the first time in their entirety, it is usually in a section called the “Exposition” and this is what it sounds like in our “Sonata for Chamber Orchestra”: [ca_audio url=”https://www.stephenpbrown.com/blog/wp-content/uploads/2012/10/Sonata-for-Chamber-Orch-Expo.mp3″ width=”500″ height=”27″ css_class=”codeart-google-mp3-player”]   Now it’s time to move on to the “Development” section. This is usually the longest section of a piece in Sonata Form as the composer can take snippets of both themes…