A sample of the new concerto

 

British American Conductor Composer Stephen P Brown writes a concerto for bass clarinet and stringsMy next composition isn’t quite ready yet.

But I really like it and want to share it with you NOW.

So, there’s a sample below!

It may seem my 7 year #PsalmQuest has been on hiatus and maybe you even thought I’d given up already.

Well, I was ahead of schedule so after all the Christmas performances I did take some time off over Christmas and New Year to visit lots of people up and down East Coast USA, and then I embarked on my long-awaited Concerto for Bass Clarinet and strings.

It’s almost ready and we all have to be thankful to Calvin Falwell and Diana Hessinger for commissioning this piece upfront, as well as all the bass clarinet players around the world who are signing up for first year rights to perform – it’s very exciting being involved in such a forward-thinking, risk-taking consortium. Thank you!

So, without further ado, click on the video below for a sneak preview:

What do you think? Tell me below… if you dare!

Would you like to be part of the commissioning consortium? It’s very easy: promise to perform it at least once and send us some proof, basically.

Let me know in the comments below if you’re interested and I’ll make sure you and Calvin are connected – he has all the details.

Thanks for listening, and here’s looking forward to the full monty in the next week or two!

Les Miserables the movie

I’m a fan of “Les Mis” the show. Overall assessment of the movie is good – I liked it and I liked that so many of the audience were directly affected (meaning, audibly sobbing or laughing).

Hugh Jackman (Jean Valjean) – bravo!
Anne Hathaway (Fantine) – well done.
Russell Crowe (Javert) – completely ruined the film. (Sorry Russell!)
Amanda Seyfried (Cosette) – she hit the high notes!
Samantha Barks (Eponine) – terrific. Really.
Isabelle Allen (Young Cosette) – really good singing and acting. A pleasant surprise.
Daniel Huttlestone (Gavroche) – brilliant.
Helena Bonham Carter (Madame Thénardier) – acting brilliance shone through the terrible interpretation.
Borat (Thénardier) – should stick to what he does best: staying off the big screen. Must’ve been a ploy to make the movie attractive to his unique audience.

The cinematography was unnecessarily disruptive and the sound was awful. Sit at your desktop computer or TV surround system and unhook the bass booster before turning the volume down by 1/3.

Did I say that overall I like the movie? It was a very good effort well worth the ticket price.

Another Absolutely Best Of!

I’m working on some project documents and listening to Classic FM’s David Mellor (ex-Member of Parliament and even Cabinet member) enthusiastically share his top 20 classical music recordings of 2012 – both new and re-released. Sometimes it’s quite fascinating, especially Max Richter’s rewriting of Vivaldi’s famous Four Seasons violin concertos, two very different versions of Rachmaninoff’s beautiful Symphony No.2 even though the different albums won in different categories, and even Cole Porter’s “Let’s Do It” by Alexandre Tharaud. Yes, I’m just as confused as you. (Amazon affiliate links)

Top Ten List EVER?!Well, I’ve never been much of a fan of “Top” or “Best of” lists, even though it is clearly a marketing gem and seems to engage a great many people. (The fact that such programs can be prepared in advance so they can be aired during the holidays with no-one actually present at the radio or TV station isn’t lost on me.)

So, whilst wondering what gives David Mellor the right to pick and choose classical music recordings, and whether or not he’s just presenting someone else’s research/ compiled list (such as EMI, Sony, Virgin Classics, or any of Global Radio‘s other regular bed partners), I wondered what other lists are out there this year. I typed “Best of classical music 2012” into the centrally focused white box on the Google homepage which took a moment (0.44 seconds, to be a little more pedantic) to produce the results below.

And there we have it! These must truly be the absolute best of the best of classical music for 2012. Make of them what you will, and take particular note of the handful of references to live music (such as concerts). In fact, the exact opposite occurred – included in this “Best of” list are notable deaths! Can you and I change that? I think so. Maybe next year we can come up with our own “Best of 2013’s Classical Music” and make them ALL concerts!

My (or, in fact, Google’s) “Best of ‘Best of Classical Music 2012:'”

  1. 54th Annual Grammy Awards Nominees for Classical Music (2012)
  2. The Best Classical Music Recordings of 2012 – NYTimes.com
  3. The best classical music of 2012 | Music | The Guardian
  4. Amazon Hot New Releases: best Classical Music
  5. Classical Music and Opera: The Best of 2012
  6. 2012 in review: Notable deaths in classical music and dance
  7. Remembering the best classical music of 2012 – Times Union
  8. The Best in North Texas Classical Music in 2012 | FrontRow
  9. The Orchestra: The best classical music iPad app
  10. Best of 2012: Classical music | Mark Swed – latimes.com
  11. The Best and Worst of Classical Music in 2012 – WQXR
  12. best classical music songs
  13. best sad classical music
  14. best classical music for studying
  15. best classical guitar music

Do you agree with any of these? Put your own “Best of classical music 2012” list in the comments below. Even one entry will help us focus our efforts!

Really – what music or performer do you think we should look out for in 2013?

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Very important people

How many very important people do you have in your life? The most difficult for me to get along with but who I value extremely highly, are lawyers. In the USA we need lawyers for just about everything, but especially in the music world. Did you know that most initial music industry contacts are made through lawyers? Not agents, not managers, not even the artists themselves.

Robert J. Stack, Esq.But lawyers can be intimidating. They charge by the part-hour and good ones attract a hefty hourly rate – rightly so, but when talking or meeting or emailing or faxing their laywers, many clients remain acutely aware of every second. There are many nice lawyers out there who are also people, for example one skilled action-oriented chap that deals with a lot of non-business issues sometimes focuses and bids on tasks, not open ended contracts. After discussing the issue at hand he MIGHT just offer a flat rate to ‘get the job done.’ That is really appreciated (FYI, it’s Robert J. Stack in Kinnelon NJ – tell him who sent you!). Robert likes to chat about life, too – his family, our family, visiting Florida, etc. and I always feel guilty in responding curtly and getting back to my point: all the while watching the second hand tick round and round. Rob is gracious enough and seemingly understands, but… as promised, he gets the job done.

On the other hand, there are lawyers who charge by the hour or part-thereof. Just one email or one phone call, it’s an hour. Three or four emails and a brief contract review, also one hour. They don’t bill for anything less in any month. Gulp! Still, they have industry contacts that very few others have direct access to, and that makes them very special!

All in all, lawyers are some of the most VIP VIPs, despite my cautiousness and constant clock-watching. If you use a lawyer for anything, send them a note today – maybe even a handwritten card – just letting them know you appreciate them. Sometimes we don’t do it often enough.

In the comments below, share how your relationship with your lawyer/s is/are – cordial, professional, friendly, awful, etc. And how are you going to show them this weekend how much you appreciate what they do for you?