A sample of the new concerto

 

British American Conductor Composer Stephen P Brown writes a concerto for bass clarinet and stringsMy next composition isn’t quite ready yet.

But I really like it and want to share it with you NOW.

So, there’s a sample below!

It may seem my 7 year #PsalmQuest has been on hiatus and maybe you even thought I’d given up already.

Well, I was ahead of schedule so after all the Christmas performances I did take some time off over Christmas and New Year to visit lots of people up and down East Coast USA, and then I embarked on my long-awaited Concerto for Bass Clarinet and strings.

It’s almost ready and we all have to be thankful to Calvin Falwell and Diana Hessinger for commissioning this piece upfront, as well as all the bass clarinet players around the world who are signing up for first year rights to perform – it’s very exciting being involved in such a forward-thinking, risk-taking consortium. Thank you!

So, without further ado, click on the video below for a sneak preview:

What do you think? Tell me below… if you dare!

Would you like to be part of the commissioning consortium? It’s very easy: promise to perform it at least once and send us some proof, basically.

Let me know in the comments below if you’re interested and I’ll make sure you and Calvin are connected – he has all the details.

Thanks for listening, and here’s looking forward to the full monty in the next week or two!

12 books for the growing career

ReWork everything you doI’m working hard on my next #PsalmQuest piece – a concerto for Bass Clarinet and Strings, and it is going well, but with the holidays and lots of travel it’s been hard to keep up. Should have something to share with you in a month or so.

In the meantime, here is a list of 12 books all budding/ growing… people should read (At first I wrote “musicians” but realized there is a great deal of info here that is relevant for anyone trying to grow a business or even just their own career, even in the music-related books!).

If you or someone you love is trying to build a [music or other] career, these books will come in most useful. And if they say they have no time to read, unsubtlely mention that reading 10 pages a day (about 10 minutes) takes about 20 days to read an average size book. All 12 of these recommendations can be read in 2014!

  1. Where’s Your Wow? “When was the last time a product or service made you say, ‘Oh Wow!’? This wonder of a book will show you how to create that same magic in your own business.” Ken Blanchard, coauthor of The One Minute Manager® – I love making people say “wow” and try to make everything I touch wow-able.
  2. Savvy Musician “As a music professor, this book has become required reading for all of my students. In fact, I recommend this book to everyone- professionals, amateurs, and students alike. The vignettes are fantastic, the writing style is enjoyable, and the content is superb.” James W. Doyle – It’s important to be savvy in any career. This is worth reading for both interest and gleaning ways to boost yourself in your own industry.
  3. Crush It! “The most important takeaway I found in the first read through is that honesty always wins in an established market that’s playing by an old set of rules.” Daniel, Ottowa – Just take it for what it is: a quick read with some motivational prowess.
  4. EntreLeadership “Full of excellent anecdotes and practical tips on entrepreneurship, hirings and firings, and leadership at its best.” Stephen R. Covey, author, The 7 Habits of Highly Effective People – Yes!
  5. The Indie Band Survival Guide “Finally! A comprehensive and practical guide for musicians that explains how to navigate today’s music world without a label. A must-read!” Derek Sivers, founder of CD Baby – Detailed info for anyone interested in how media and marketing work, as well as lots of help for people traveling.
  6. ReWork “The clarity, even genius, of this book actually brought me to near-tears on several occasions. Just bloody brilliant, that’s what!” Tom Peters, New York Times bestselling author of IN SEARCH OF EXCELLENCE, THRIVING ON CHAOS and LEADERSHIP – It’s time we revisit everything we do, especially in the orchestral field. Whatever your industry, go ahead an re-invent the wheel. I am! (see: http://sunfonia.org)
  7. Do The Work! “The gloves come off! Do the Work explains who and what your allies are and how to embrace and utilize them in your creative life or in your day-to-day situations” Robert T. Kiyosaki – Totally in line with my motto since being a classroom teacher in the UK: “Just Do It!”
  8. How to be your own Booking Agent “Goldstein’s book takes a career from oblivion to stardom, on one’s own terms, while maintaining artistic integrity.” RAVI, singer/songwriter, former guitarist of triple GRAMMY nominee HANSON – Extremely useful insight for anyone speaking, selling, traveling, consulting, performing, etc.
  9. Word of Mouth Marketing “A primer chock-full of great stories, tips, and exercises to make you a better word of mouth marketer, no matter what size company you work for. Read it, and you will increase your influence with your customers and make yourself more influential in your company.” Ed Keller and Jon Berry, authors of The Influentials – Not everything is implementable by everyone, at least not immediately. Very useful for career ladders as well as small businesses.
  10. Artist Management “The book lays out all the facts, techniques and pitfalls involved in managing entertainers. I would say this book is very comprehensive and would allow a beginner in artist management the ability to get up and running in the business with ease.” J. Garton – Essential reading for anyone who manages people, whether for their own careers or within a corporate heirarchy. You won’t necessarily need the contract templates, but still…
  11. Ownability “Britton’s new book demystifies the complex world of intellectual property in a simple, approachable voice that’s both comprehensive and soulful.” John Maeda – If anyone ever has an idea, here’s how the US (and global) ownership rules work.
  12. Structural Hearing “This is the best book to help anyone understand the tonal coherence in classical music. It takes you through counterpoint, harmony and analysis.” Lan Qiu – Specifically musical, you may just find yourself a) more interested in live classical music, and b) able to transfer many of these skills, approaches and techniques to your own industry.

That’s a list of my favourite most useful reading over the past year (I read a total of 32 books). It’s one book per month if you want to take it slow during 2014. Or you can plow through the list and finish them sooner. The choice is up to you.

Question: What book would you recommend reading this year? Please share your recommendation in the comment section below and help out your fellow readers.

 

 

Why I’m the slowest car on the road

 

Over the past few years I’ve noticed I’m usually the slowest car on the road.

Today, find out why.

And hear about one of the decisions/ choices I’ve made that causes it!

And then, if you dare, listen to how your own driving decisions are directly affecting the society we live in today.

Click to play the video below to reveal all.

In case you’re wondering: yes, my wife gets totally embarrassed whilst everyone else is passing us!

We all have a multitude of decisions to make everyday, and I’d love to know why you think it is OK (or not) to exceed the speed limits. Seriously, whilst I am not yet convinced that my own desires and assessment of safety are more important than the law of the land I choose to live in, you may have some valid reasons for speeding that I’d like to hear about.

Please let me know in the comments below what you think about speeding/ ignoring the laws of the road/ whether or not driving has become a right more than a privilege, and any other related thoughts.

As always, I reserve the right to delete any inappropriate comments.

Who cares about live music?

"Tell Someone Who Cares"Time for a rant/ rave/ vent, methinks. It’s been a while. Bear with me:

Who cares about live music?

Everywhere I look there are stories of musicians being yelled off their stage, performers crying for “decent” pay, orchestras and opera houses closing down, music schools diminishing beyond recognition, and a host of other music-related news that simply doesn’t play a pretty tune.

So, who actually still cares about music?

  • Musicians do (instrumentalists, singers, composers, conductors).
  • Politicians will if it makes them popular.
  • Some film producers and directors do.
  • Music writers and administrators do.
  • Music teachers and professors do.
  • Some corporate executives hoping to make their company look good by supporting local musical establishments might.

Who else?

  • And don’t tell me dancers do – if they did we’d still have live musicians at every performance.
  • And don’t tell me most audiences do – if they did they’d willingly pay the costs of every concert.
  • And don’t tell me clergy do – if they did they wouldn’t be promoting celebrities who sing to pre-recorded tracks.

But despite the seemingly exhaustive list of supporters, first: look how many people who experienced music directly in their lives are those who remain passionate about it, and second: I can’t help but feel an underlying podium of obligation and hidden-agenda persuasion.

The fact is, in 2013 there are very few people who care about one of humankind’s most fundamental forms of expression. “Music” has been around for as long as birds could whistle and people could control the pitch of their voices. For centuries it was just a part of everyday life for just about everyone.

16th Century Gregorian Chant Song Book

This 16thC songbook in Seville Cathedral contains many chants “composed” over hundreds of years

Then, about 500+ years ago, someone figured out a way to write it down so others could repeat what was being expressed. (Actually, music was used in the church to aid priests with their memorization of liturgical text – a trick that is still used today.) I’ve seen one of the earliest songbooks known to exist, currently housed in Seville cathedral, and when people stop to consider what it represents, it is an awesome thing. But, like so many museum pieces, most people just wander by and say ¡Qué Bueno! (“That’s nice.”) You can hear the apathy in their tone.

Since then, there’s been a direct split between formal music and popular music. Even these words seem insufficient to describe the horrors of classifying and labeling just about each individual’s specific tastes, desires, likes and academic output of organized sound-based expression.

But what really scares me are these two facts:

1. Older generations are telling younger generations that music is unworthy, not to be valued, and an interrupting annoyance. Instead, we are taught by decision-makers and influencers that it is a gimmick, a sometimes useful but very expensive tool of persuasion, and wholly unessential or unnecessary for anyone’s well-being. Example: “Our youth groups don’t want to see an orchestra on stage – that’s not our vision for them.” Example: “Oh! That youth orchestra is just way too loud whilst we’re shopping. C’mon, let’s leave.” Example: This whole flashmob was commercially staged, including the little girl at the beginning – the bank the performers were in front of was celebrating its 130th birthday.

2. Musicians are out to prove their relevance/ worth/ value, demand certain rights, and are using Music as a political means to get what they want (be that income, satisfaction, their own worth/ value, proof that they matter or haven’t wasted their lives pursuing something pointless, etc.).

Ouch.

And I’m fed up with it.

In today’s technological digitized world, is there even a future for music? At all? We have created machines that compose and conduct, and devices that source every piece of music that has ever been recorded or constructed as an audio file. [And that’s a whole other rant – are we listening to the performers, or the sound system? More on that another time.] Music provides some sort of background sensory stimulation in almost every activity many Western humans undertake, including shopping, using public toilets, driving, office work, jogging, and so on.

The recent spike in popularity of orchestras playing music whilst a film is displayed above them is an extension of the old piano-playing cinemas of… wait for it… not even a hundred years ago. In Beethoven’s time it was rare for concert halls to have seats. People mingled, chatted, ate & drank, and had a good old time hanging out. In Mozart’s time, operas told stories of faraway places and unknown cultures with drama and costumes and scenery and, of course, dramatic music.

Mention opera nowadays and most people yawn.

What’s happened? What’s going on? Where are humans headed next? Hardly the dearly desired World Peace, that’s for sure! And I fear the loss of music and the senses that rely on it for their useful/ proper/ full development, will transform humans into unthinking creatures of survival habit.

And yet we’ve come so far…

What do you think? Add a comment below and let’s talk about it…

Maybe it’s just in specific cultures. Maybe this is all totally imagined. Regardless, I’m upset so many humans around us are dismissing live music making, and I’m getting angry enough to do something about it in my little circle of influence. More about that soon!

 

I’ve got 7 years left – #PsalmQuest Compositions

Some of my compositions were recently submitted as materials for another Masters-level qualification which would permit me to teach higher education in the USA – something my experience and approach is well suited to. The application was not approved, and that hurt. When I shared the assessor’s report with my select circle, most of the reactions were along the lines of “These comments make no sense,” and “I haven’t got a clue what he’s on about.” One comment suggested how the assessor seemed to be looking for negative things to say and ended up saying the same thing about each piece that was submitted. There is no recourse to appeal the assessment, and therefore I particularly reveled in one friend’s description of the assessor as a “Schmuck” (all in good jest to lighten the weight I’d put on his career-jolting opinion.)

A colleague in the academic world seemed to corroborate but put it like this:

You have wonderful ideas and a sense of exploration. Maybe there is a voice in your head wondering if anyone will like what you are doing so you play it safe. As with any creative venture, safety does not result in efforts that fully show one’s capability. I also think you have been limited by [composing for] players with modest ability and so you have had to avoid writing anything that pushes the envelope too far. Break out of that. Quiet the voices of questioning that I can imagine are speaking to you and see what happens.

Wow! Nice! Thank you, G!

 

My action plan must be:

  • Something that doesn’t require seeking the participation of musicians I can’t afford or are of “modest ability.”
  • A project that doesn’t require coming to you with my hand out asking for funds.
  • Something with changing flavours, aromas and colors that last over a long period of time.
  • A project which produces results but is not dependent on what happens to them.
  • Something that can be created with the resources I already have, and that can be shared with you if you’re interested.

 

Major influences:

Heard of Chris Guillebeau? Several years ago he set himself the goal of visiting all the countries of the world by his 35th birthday. He just completed his quest ON his 35th birthday last month. 193 countries in less than 11 years. No-one else has ever accomplished it.

Most of Bach’s work, much of Mozart’s, Beethoven, Verdi, Poulenc, Vaughan Williams, Taverner, Part and a multitude of other composers have written music influenced by the Bible, including two of the most amazing pieces ever: the ultra-famous Messiah by Handel, and the incomparable Belshazzar’s Feast by William Walton (watch below). Even outlying members of the post-WWII British atheist movement, including composers such as Benjamin Britten and John Rutter, often turned to the Bible for source material. So why not me?

 

I recently heard a reading of Psalm 33 and it caught my attention. It is far from famous but its descriptive content is unique. There are many pieces of music in the world influenced by the psalms, but… all of them? Yes. Plenty. But that’s like asking if every country in the world has been visited. Until Chris G set his goal, no one person had visited every country in the world.

My Quest:

To advance my composition skills by writing 150 pieces of music based on each of the 150 psalms by my 50th birthday in 7 years’ time.

How on earth will that get done? I have a plan. [In fact, I’ve already started].

It’s going to be a fascinating journey! I hope you’ll stay the course with me.

 

keep-calm-and-stay-the-course

Update Jan 8, 2014:
Project going VERY well! 13 completed and two more underway. In the meantime, I’ve adopted the hashtag #PsalmQuest to help organize my composition project. Spread the word! [Click it to tweet it]

Update Sept 10, 2018:
Four years of web content got deleted through malware that also infected by backups. Regardless, this project was on hiatus for three years during my Dad’s rather cruel terminal illness (PSP) and I am only now figuring out how to re-incorporate the #PsalmQuest schedule back into my daily routine. I doubt the project will be finished by my 50th birthday, but the important thing for me right now is to simply finish.

 

Tell me in the comments below how you’ve overcome adversity or a big disappointment. Did it spur you into action? Did you setup a project or quest? Did you move onto something completely different? I’d love to hear how you managed to move on with your life. Go on, add a comment, and then share this post so others can benefit, too:

 

Composing B: And so it begins…

Following last week’s post about how to start a composition, well… how I am starting this composition… a few decisions have been made.

Whilst looking around for a compositional structure I came across several main elements:

Each have their own special qualities and after a little thought, I thought it would be nice to try Sonata form. I don’t remember the last time I wrote something in Sonata form (and stuck to it) so here’s an opportunity.

At the moment, Sonata form will form the dominating format, although during the creative process unexpected twists and turns can often lead compositions into completely unplanned territory.

Tweetable!
The creative process can take unexpected twists and turns that lead into completely unknown territory. via @Stephen_P_Brown

Sonata form structure:

  • Introduction
  • Exposition: A main theme (usually a melody) followed by a second theme in a different key*
  • Development: Both themes mixed together through wildly changing audio experiences, although still always related to the exposition somehow
  • Recapitulation: The main theme revisted plus the secondary theme in the ‘home key’
  • Coda: An ending unlike any other. Or, probably like every other.

Beethoven had a really hard time ending his music, so pieces like his famous Fifth Symphony could actually end many, many times but none of them actually do end the piece. Until there are no more chords left.

Dudley Moore had a similar problem:

Dudley Moore doesn’t stop…

So, quite imaginatively, let’s call our piece after its structure, “Sonata.” But who is it for? Well, it’s for a chamber orchestra of sorts. Not piano, nor violin or any other solo instrument. So we can expand the title of our new piece of music to: Sonata for Chamber Orchestra. Like it? I do. Don’t like it? Are there any other options? Yes. Lots. Think of a title and put it in the comments below.

(*)
I also chose to go with the key signature of G Major. The KEY of a piece of music tells the players what tonality to focus on. In the Western world we have developed a system using 12 different tones that repeat (on a piano, play every consecutive note starting with the left of the three black keys, F sharp(#). You’ll end up hearing ‘another’ F# 13 keys later). From those 12 notes, 8 of them form the basis of tonality – major (happy) scales and minor (sad) scales.

Again on a piano, find ‘C’. It’s the white key immediately to the left of the two black keys. Play that C plus only the 6 white notes to the right, and then finish with the 8th key which is actually another C. Repeat. And repeat. Start with any C and play the scale – they all sound the same only higher or lower. The combination of tones forms the scale, in this case a major scale.

Copy that combination of tones but start on G (G is 5 notes up from C, including C. It’s the white key immediately to the RIGHT of the LEFT-MOST of the THREE black keys. Got it?!). Only this time, instead of playing all the white keys, when you get to the 7th key, don’t play it. Instead, play the black key immediately to the right – that’s right, F#.

This major scale is what will form the tonal foundation of our new piece.

G Major scale on a keyboard

G Major scale

 

Next week, lets look at the melody, or the ‘Main Theme’

Feedback for Tapestry Tampa Bay

Watch the whole video below…

Conductor Composer Stephen P Brown presented his brand new composition “Tapestry Tampa Bay” to a new audience in Safety Harbor, Florida, on March 23 2012. Feedback has been amazing and very positive, with requests to orchestrate some of the movements as well as over 5,000 views of the concert video.

Check out why…

“Brilliant composition. Those of you that missed this concert, you missed out on a great night of beautiful and entertaining music.” -Barbara

“Tapestry Tampa Bay” simply amazing.” -Hamby

“Absolutely inspiring.” -Bill

“I’ll be Back for More!” -Mary

“Excellent. Can’t wait for the CD.” -Carlos

“Stephen is fearless in a new adventure, ready for a new challenge with a quiet confidence.” -Dale

“I love the stories, and then the music plays them out.” -Vanessa

“Totally refreshing and enjoyable. Please do it again.” -Ron

“What a wonderful surprise. I hope a tour comes out of this.” -Jill

Check out the video of Tapestry Tampa Bay on YouTube, and remember to LIKE it! (Give it a thumbs up). Also add your comments, similar to those above, to the video site:

Remember: Stephen is on a mission to RECONNECT hard-working, leisure-seeking people with that inexplicable element of music that affects us with laughter, crying and goose bumps. You can help by sharing this post on Facebook, Twitter, YouTube, and even your own blog! Thank you.
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