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12 books for the growing career
I’m working hard on my next #PsalmQuest piece – a concerto for Bass Clarinet and Strings, and it is going well, but with the holidays and lots of travel it’s been hard to keep up. Should have something to share with you in a month or so. In the meantime, here is a list of 12 books all budding/ growing… people should read (At first I wrote “musicians” but realized there is a great deal of info here that is relevant for anyone trying to grow a business or even just their own career, even in the music-related books!). If you or someone you love is trying to build a…
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Why I’m the slowest car on the road
Over the past few years I’ve noticed I’m usually the slowest car on the road. Today, find out why. And hear about one of the decisions/ choices I’ve made that causes it! And then, if you dare, listen to how your own driving decisions are directly affecting the society we live in today. Click to play the video below to reveal all. In case you’re wondering: yes, my wife gets totally embarrassed whilst everyone else is passing us! We all have a multitude of decisions to make everyday, and I’d love to know why you think it is OK (or not) to exceed the speed limits. Seriously, whilst I…
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Why the next 20 years of classical music will smash the last 20
OPINION. That’s all this is. Totally unmerited, unfounded, unresearched, unverified 🙂 I’m in the UK right now, where I spent my childhood and early professional career. My teens and current professional career were/are in the USA. My college life was mostly spent up & down the UK, throughout East & West Europe, and later a sojourn in a couple of countries in the Southern parts of Africa. Next stop? Ah well, wouldn’t you like to know! But as I’m sitting here for a few moments, pondering the extraordinary life I’ve lived split primarily between two continents, cultures and languages (yes, I’m bilingual: I speak English and American), I find it remarkable how much…
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New psalm composition #6: Warrior Peace
Well, this was an unexpected mammoth! (If you are not aware of my current composition quest, click here to read the introduction.) I knew that composing for larger ensembles would take time, and was sort of risking things a little when I decided to write for a larger-than-normal ensemble but I didn’t plan for this piece to take a full month. Think of a chamber orchestra that plays Mozart and Haydn symphonies. Then take away all the string players. That’s what this composition is for! It’s not a standard combination of instruments, so I decided to call it a “Chamber Orchestra Non-Strings” ensemble. Says what it is, right?! The actual…
