The first of my two favorite movements in my latest composition. It also happens to be the last movement actually written. “Downtown.”
There are many downtowns in the Tampa Bay area that could be represented by music: Dunedin could display a Scottish or bagpipe influence – after all, even their high school marching band has pipers! Or we could look to the very edge of Tampa Bay at Tarpon Springs, and include a Greek music influence. Certainly fun. Hoopa!
Clearwater, Tampa itself, Bradenton, Seminole, St Petersburg, Ybor, Egypt Lake-Leto, all have cultural influences from around the world, so the decision became tough. In the end, I decided to simply title the work ‘downtown’ and not make obvious clichéd references to cultures.
The piece is busy. It starts with a piano and marimba duet and the structure grew very quickly from there – an ascending sequence (rising pattern that repeats itself) but with different instrumental colors. A lovely little piano phrase keeps interrupting until eventually, everyone’s gone home.
Or so it seems. A pulsating backbone pervades the area with Tampa Bay’s nightlife preparing for the regular onslaught of visitors and locals alike. Songs burst from every nightclub and many restaurants, and the crowds grow in size and energy.
Unfortunately, like most great nights out that suddenly come to an end, the marimba & piano remind us that it’s time to go back to work. The grand finale of this movement wraps up with a full stop traditional ‘The End’ ending. It’s a fun movement.
